Melanie Spiller and Coloratura Consulting
Copyright 2020 Melanie Spiller. All rights reserved.
Stage Fright
Melanie Spiller and Coloratura Consulting
I don’t get stage fright. After all, one way or another, I’ve been on a stage since I was four years old—ballet,
playing the flute, ballroom dance, a brief theater period in college, teaching in a classroom and privately,
and of course singing. But when I went to that historical novelists’ conference, lo and behold, I got a little
stage fright.
It was standing outside the room where everyone pitched their books to agents and publishers that did it. I
was fine, didn’t expect much, thought of it as a way to suck information out of people more than a way to
get into print. I got to the room in plenty of time, signed in, and then lurked, listening to the others talk
about their books, their pitches, or the weather. Suddenly, my stomach lurched up into my throat.
Apparently, it showed on my face, as the nice woman signing us all in came over to me and asked if I was
okay.
Heh.
Here’s the thing. I’ve been around plenty of people who get stage fright. You can feel it, almost smell it on
them, a kind of quivery stomach, heart in throat extravaganza of sweating palms and loose bowels. But *I*
don’t get it. Nope. If you’re prepared, even if you make mistakes, you will recover. Heck, as I always say after
singing a solo, “no one was killed.” You just can’t take it so seriously.
But I did. I seriously did.
I pulled myself out of it quickly enough, though. Here’s the tale.
The night before, there was a reception, and we all stood around pitching our books to one another while
we sipped adult beverages. This nice young man, a graphic novelist specializing in the Trojan horse era, he
asked me what it was that I thought would go wrong. I realized that I couldn’t explain. So then he said to
me—and here’s the really clever part—give me your bad pitch.
So I did. I slumped my shoulders. I pinched my voice up into my nose. I whined on academically about the
driest aspects of my book. I pretended that I was proud of how LONG the book is. I used long words and
foreign words to make myself seem smarter. I checked my teeth repeatedly for savory morsels.
Those were all the things I didn’t want to do. So then, he said—knowing I was ready now—give me your
good pitch. And I did. I was funny, engaging, and told my story with light in my eyes. I could feel myself just
flat out enjoying that I’d come up with this idea and seen it through. I mentioned my second draft trimming
efforts and my plans for the next book.
Ta da!
So there I was, getting nervous in the line to present to important dignitaries, and I just ran that little
exercise again. I got all the ickies out before I went in to see someone who could decide whether or not I
really did have a good idea.
You know, this works, or so I’m told, for proper stage fright as well. I’ve read that if your hands are all
sweaty and your heart is pounding away like it’s a conga drum, you try to make your palms sweatier and
your heart beat harder by just willing it so. Apparently, that makes these unpleasant fight-or-flight instincts
quiet right on down.
You’ll have to let me know though. Even though I’d only known about the solo for four days (someone had
to bail at the last minute), I got away with it at this weekend’s concert extravaganza without a peep of stage
fright. After all, no one was killed.