Melanie Spiller and Coloratura Consulting
Copyright 2020 Melanie Spiller. All rights reserved.
When Characters Take Control
Melanie Spiller and Coloratura Consulting
There I was, all prepared to write the death scene of my historical figure, and I was debating about
whether my (entirely fictional) protagonist would repent her wicked ways or carry her jealousy into
the next world with her, when POOF! I accidentally killed off another character.
There are three main characters: the protagonist, the protagonist’s best friend who is also the
narrator, and the historical figure. There’s a minor fourth character who serves as bearer of news
and as general innocent, so the others can have edifying conversations.
I’d written the historical stuff that needed to happen in this chapter when the innocent wanders off
into the woods (mushroom hunting), topples off a precipice, and breaks her leg. She manages to
flutter about being carried back to the monastery by a burly manservant, but then she succumbs to
shock.
I sat there bawling my eyes out as I wrote her faltering; telling the narrator what is to be done with
her meager belongings and then the silent aftermath of her death. But once it was written, I was
stunned. I hadn’t planned to kill her off—in fact, now I have a problem with the end of the book.
I tried to un-write it, to bring her back to life. Then I tried to justify the death, showing how hard
things were in the middle ages and how crude medicine was. I also told myself that it was a
foreshadowing of everyone else dying in the next two chapters, everyone but the narrator. (They are
all quite elderly. Obviously the historical figure’s life has to end, and I wanted the jealous protagonist
to live a roughly parallel life.)
Then, I told someone what I’d done, and how silly I felt crying over a character that on some level I
had chosen to kill off. She said, “Don’t write things that don’t promote your plot.” Wise words.
However. Because it’s not a complete work of fiction, some of my plot is driven by historical facts.
Chapters are defined by getting to the next momentous event. To keep it from being dry and
sounding like non-fiction, I interspersed fictional events that sometimes had to do with furthering the
plot and often had to do with revealing life in the 12
th
century, especially in a nunnery, which is not at
all like modern preconceptions (if my writing group is any indication).
I’d addressed the historical event in the chapter already, and because I have a psychological
problem with having chapters each of 16-20 pages and then suddenly writing one of only four
pages, my sweet little minor character went slipping off the edge.
Oh, I could have leapt forward in time a few months and let the historical figure die her natural and
well documented death. But I wanted that particular event to occupy a whole chapter on its own, so
the weight of it can be revealed. And I wanted room for my protagonist’s thoughts about it.
So I killed off my innocent. I hadn’t planned to, didn’t know I was going to do it until it was already
underway, but that’s what I did.
Many years ago, some creative writing teacher or other told me that when your characters take on
their own lives and you lose control of their actions, that’s when you’ve written a plausible character.
I’ve had it happen before, where the characters began behaving in a way that I had not planned or
foreseen but that was entirely in keeping with my plot. This is the first time where it took the plot
somewhere I hadn’t expected to go.
And I’ve slept on it for a few days now, and I think I like it that way. She stays dead. Rest in peace.